I chose this scene because in our film we are introducing an antagonist with action and this is a good example with a great villain in an incredible film.
Cue | Notes |
Reflection in the glass case shot 0:50 | |
Kill-monger is portrayed in heroic lighting however it is also ominous, showing us that this is if not a villain than at least an antagonist. | |
Klaue on the other hand is portrayed from the beginning as uncomfortable and sinister. | |
Kill-monger examines three artifacts correcting the professional on the third with correct information. | |
Erik establishes one of their core motivators in a direct verbal confrontation with the professional and then revealing that he had poisoned their drink. | |
In the first minute in a half there are almost exactly 30 edits. This small portion of the scene is the introduction of kill-monger specifically. | |
This clip begins with slow long shots that establish setting and character but as things get more tense the shots get quicker. they reach a point of about 3 in a second at a time. | |